The Dark Knight, director Christopher Nolan's absolute stunner of a follow-up to Batman Begins, is set out as a comic book movie. Containing everything you could ever want a film like this to include, and more. But Nolan doesn’t stop there as there's something new and amazing at work in this artfully imagined universe. Striking out from his Batman origin story, Nolan cuts through to a deeper dimension. The Dark Knight creates a place where good and evil are expected to fight to the death but instead decide to shock viewers with this little twist. "I don't want to kill you," psycho Joker tells Batman. "You complete me."
The trouble is that Batman, a.k.a. Bruce Wayne, has realised he can’t be Gothams white knight and have the public see him as a vigilante. He'll leave the hero stuff to district attorney Harvey Dent and stop the DA from moving in on Rachel Dawes, the lady love who is Batman's only hope for a normal life.
The Dark Knight has put Gotham in a new light with this idea of civilians trying to take on the role of batman and bad guys that enjoy crime starting more than ever. Take the Joker, who treats an amazingly well thought out bank robbery like a strategy game with henchmen in Joker masks and some deaths that you’ll never see coming.
The one thing that I found annoying while watching dark knight was that some parts are quite predictable. But that doesn’t stop The Dark Knight being one of the best movies I’ve seen this year, mostly because of Heath Ledgers amazing performance as the joker. He was absolutely insane and even got the facial expressions down which made his overall level of insanity rise.
Over all I would absolutely recommend going to see The Dark Knight. Its an experience that most people can enjoy time and time again.
Labels: Christopher Nolan, Stuart Cope, the dark knight
The film opens with an idyll on a Pacific island where two soldiers have gone AWOL and live with tribal people who exist in a pre-lapsarian state, eating the fruit and the fish, and smiling contentedly at the bounty of Eden. The movie implies that this is a society that reflects man's best nature. But reality interrupts when the two soldiers are captured and returned to their Army Company for the assault. I personally think that this start was really long winded; I believe that it could have been shortened so that the action would come sooner
Even through the movie takes ages to actually get going that battles themselves are really well done and i enjoyed them. During the battle scenes, there are flashbacks to the island idyll and other flashbacks as a soldier remembers his love for his wife, which is ironic because it’s her love that keeps him alive when really she wants a divorce. The plot of the second act of the film involves the taking of a well-defended hill, and the colonel prefers that it be attacked in a frontal assault; a captain resists this plan as suicidal, and is right from strategic point of view, but wrong when viewed through the colonel's bloodlust: "You are not gonna take your men around in the jungle to avoid a goddamn fight." The soldiers are not well developed as individual characters. Covered in grime and blood, they look much alike which causes some confusion. Sometimes during an action we are not sure who we are watching, and have to piece it together afterward.
In creating a sense of the geography of a particular hill, the way it is defended by Japanese bunkers, the ways in which the American soldiers attempt to take it. The camera crouches low in the grass, and as Malick focuses on locusts or blades of grass, we are reminded that a battle like this must have taken place with the soldiers' eyes inches from the ground which gives the movie and battle a more realistic feel to it.
Personally I think this film was good but you have to be willing to go through loads of time before it actually gets going so I wouldn’t really recommend it if you’re an action fan because you’d probably stop watching before the action starts
Labels: Stuart Cope, Terrance Malick, the Thin Red Line