An assassin inadvertently nearly blinds a young lounge singer during one of his assignments. Overwhelmed by pity, he decides to take care of her and soon they fall in love. Unfortunately, her eyesight is deteriorating quickly and she needs to have an operation before she loses her eyesight completely. The assassin decides to do one final job to get the money she needs, but after the job is completed, his hires refuse to pay him. Not only this, but they are feeling the heat from a determined police officer (Lee, City on Fire) trying to take them down, and fearing the assassin will rat them out, they decide to kill the killer.
The Killer is a great action picture, one of the best of the 1980s. Stylish to the extreme, with Peckinpah-esque slow motion ballet-like action scenes and some religious undertones make for thought-provokingly effective entertainment. Beautifully shot and skillfully directed by John Woo (A Better Tomorrow, Face/Off), it's probably the best Hong Kong action film I've ever seen, and by far the best film in Woo's interesting career. The entire ensemble is perfectly cast, with Chow Yun-Fat giving a subtle but powerful performance as the assassin. It's funny, audacious, outrageous, and tragic all at the same time. An absolute must-see for Hong Kong film fans and anyone is tired of clichéd Hollywood action thrillers.
Labels: The Killer, Tom Day
Dark, grim, haunting and visionary, "The Dark Knight" is nothing short of brilliant, the best and scariest comic hero adaptation you are likely to see this summer season, and perhaps during the whole year. At least two notches above "Batman Begins," this follow-up represents Christopher Nolan's most accomplished and mature work, and mind you, he is one of the few Hollywood directors who have never made a bad picture. Celebrating his first decade as a filmmaker, from the short, small-budget and modest noir" Following," through the clever and witty post-modernist noir "Memento," through the well-acted and skillfully shot "Insomnia," through the visual extravaganza of "The Prestige," Nolan has continued to sharpen his skills and now works at the top of his form. He is a unique director for whom bigger scale, larger budget, and more polished state-of-the-art special effects translate into all-around better picture; for most directors, it's usually the other way round.
This is not just a good comic book adaptation film, its a good action film.
Labels: the dark knight, Tom Day